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Quiet Patience

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Description

Digital Photo taken tonight along Elizabeth Street in Melbourne, Victoria, Australia.

No cropping, but some contrast and brightness adjustments made, as well as conversion to black and white.

I don't take many people photos; I don't think I've ever been good at it. Sometimes, just sometimes, I come across a scene that makes me stop and take a people picture. Tonight was one of those times.

I was walking along Elizabeth Street, as I do almost every Friday night, and I could hear a woman shouting. I didn't realise it at the time, but there was a rally coming my direction for the Greens Party (I think)* rallying about refugees. I had stopped just in front of a busker, who was being drowned out by the chants and shouting from the ralliers. Eventually he gave up, and watched them go past. He didn't complain, just waited patiently for the chance to start singing again.

I couldn't help but take his picture.


And I gave him some cash for his quiet patience :D


* For those outside of Australia, we are in the midst of a National election at the moment. Only one more week before we have to vote. Which means one more week of putting up with election ads...
Image size
3264x4352px 1.49 MB
Make
EASTMAN KODAK COMPANY
Model
KODAK EASYSHARE Z1485 IS DIGITAL CAMERA
Shutter Speed
1/40 second
Aperture
F/3.4
Focal Length
17 mm
ISO Speed
1600
Date Taken
Aug 13, 2010, 7:31:45 PM
© 2010 - 2024 moviegirl78
Comments30
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pyrrhite's avatar
:star::star::star::star::star-half: Overall
:star::star::star::star::star: Vision
:star::star::star::star::star-half: Originality
:star::star::star::star::star-empty: Technique
:star::star::star::star::star: Impact

I adore this photograph. It reminds me of a twenty-first century version of this 1967 photo [link] of a Viet Nam war protester in Washington DC.

It's wonderful to me on a few counts. Although I prefer to feel a work of art rather than analyze it, I see many aspects to provoke thought here if a viewer were so inclined.
moviegirl composed the photo so that our attention goes first to the musician and then his guitar before crossing the street to investigate the crowd before the harsh lights.
I love the soft tension in the musician's body, the gentle curve of his torso and slightly bent knees, the seeming protective stance he takes relative to his instrument while his attention is outward. I love the ambiguity of the crowd, in that my first reaction to a mob is to feel threatened, but when you look into the dark faces and read the sign demanding 'Free the Refugees' a sense less of peril and one more of tentative curiosity prevails. The musician seems to perceive them the same way.
That he waits for them to disperse and then continues making music is a bit of a poem to me. One could judge the musician for small-mindedness in the face of civil activism. One could berate the crowd for abusing the sanctity of art. One can sit a moment and consider the meaning and value of each form of expression among humankind.
It's tender and hard, melting sweet and angry voices all at the same time.
I could wish the image was lighter and crisper, but that in no way diminishes the deep and quiet pleasure I take in this photo.